Gregory Jacobsen‘s artwork is weird, disturbing and kind of gross, yet simultaneously intriguing and captivating. It’s an excellent example of how the grotesque can be alluring. Jacobsen’s in particular is ripe with tongue-in-cheek satire, skillfully combining horror with humor and ugliness with beauty.

Odor Floating, Burrow Moist
‘Odor Floating, Burrow Moist’ – oil on panel


Carrion Eaters
‘The Carrion Eaters’ – oil on canvas


Attraction and repulsion are two conflicting yet simultaneous reactions Jacobsen’s work arouses in the viewer. Beyond the technical talent he has for painting, the ability to provoke such innate feelings that are so strong and so at odds with each other is a major part of what makes his paintings so interesting.

“I paint figures, focusing on the little bits that obsess me”, Jacobsen explains on his website. “A little flab hanging over a waistband, ill-fitting shoes, overbites, noses, teeth, and flesh. Either through portraiture or busy tableaux, I create a world and vocabulary of characters that live and embrace their so-called faults. Over the years, this work has developed into piles that are corpulent and visceral stand-ins for characters. Meat, junk, pasties, and genital-like fruit and vegetables are constructed into heroic yet pathetic towers. These piles also act as a sort of forensic evidence and cataloging of awkward sex, gross gluttony, ridiculous masturbation rituals, and endless humiliation and failure.”


Lollypop Head
‘Lollypop Head’ – oil on panel


Incredulous Cat
‘Incredulous Cat’ – oil on panel


Red Proboscis of the Sweating Labia Head
‘Red Proboscis of the Sweating Labia Head’ – oil on panel


Deformities and disfigurements, a recurring theme in Jacobsen’s work, are clearly explored and playfully manipulated to evoke abject reactions as well. Like a medieval Fukushima orgy, or something out of The Hills Have Eyes, the way apparent genetic disorders are mixed up with sexual imagery leaves an indefinably off-putting taste lingering in the mouth as well. Jacobsen, of course, is well aware of this reaction: “I try to start painting nice people, with regular features. Then I look at it and it doesn’t have the emotional impact I want, so I have to go in and scratch out their nose, and mess their face up a bit”, he says. “I don’t know; it might be a sort of expressionism–it conveys this intense emotion, like maybe the peak of climax or the moment before death. There’s also this patheticness, and for me, sex ties in with being very pathetic. I mean, sex is really silly; it’s just thump-thump-thump.”


‘Triumphant Aeronautics’ – oil on panel


Blue Dress (The Lady is Lingering)
‘Blue Dress (The Lady is Lingering)’ – oil on canvas


Irrigated Tuna Caserole
‘Irrigated Tuna Caserole’


Like Hieronymus Bosch’s Garden of Earthly Delights or Harmony Korine’s Gummo, Jacobsen’s art is similarly creepy-but-addictive. It might make you want to take a shower afterwards, but that doesn’t necessarily mean you can tear yourself away in the meantime.


Jelly Loaf
‘Jelly Loaf’ – acrylic on panel


Pancakes Soaked, Started Bucking
‘Pancakes Soaked, Started Bucking’ – acrylic on panel


Sausage Skins Ruffled at the Throat
‘Sausage Skins Ruffled at the Throat’ – acrylic on panel
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